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60 result(s) for "Arts in prisons Australia."
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On Representing Extreme Experiences in Writing and Translation: Omid Tofighian on Translating the Manus Prison Narratives
On 10 June 2021, the Norwegian translator Signe Prøis (for publisher Camino Forlag) organised an event with both Behrouz Boochani and Omid Tofighian (both by video link from New Zealand and Australia) in conversation with translation studies scholar Erlend Wichne (University of Agder, Norway; Agder forum for translation studies). The event was titled: ‘Can I translate it? On representing extreme experiences in writing and translation’. The dialogue in this article features excerpts from the seminar with a focus on Tofighian’s translation of Boochani’s No Friend but the Mountains: Writing from Manus Prison (2018) into English. The topics covered include responsibility, translation as activism, some aspects of the broader context to translating No Friend but the Mountains, the role of place, and a shared philosophical activity.
Translation in Digital Times: Omid Tofighian on Translating the Manus Prison Narratives
On 12 February 2020, while on an international tour promoting Behrouz Boochani’s No Friend but the Mountains: Writing from Manus Prison, the translator of the book, Omid Tofighian, participated in a seminar at Utrecht University, organised by Australian academic, Anna Poletti (associate professor of English language and culture, Utrecht University). Poletti is also co-editor of the journal Biography: an interdisciplinary quarterly, which published a special issue on No Friend but the Mountains in 2020 (Vol. 43, No. 4). The seminar involved Poletti, Tofighian and translation scholar, Onno Kosters (assistant professor of English literature and translation studies, Utrecht University) in conversation. Iranian–Dutch filmmaker, Arash Kamali Sarvestani, co-director with Boochani of the film Chauka, Please Tell Us the Time (2017), was in attendance, as well as the Dutch publisher, Jurgen Maas (Uitgeverij Jurgen Maas, Dutch translation based on the English translation). The event was titled ‘No Friend but the Mountains: Translation in Digital Times’. The following dialogue, ‘Translation in Digital Times: Omid Tofighian on Translating the Manus Prison Narratives’, is derived from this seminar and focuses on Tofighian’s translation of the book from Persian/Farsi into English. The topics covered also include the Dutch translation from Tofighian’s English translation, genre and anti-genre, horrific surrealism, Kurdish elements and influences, the Kurdish translation (from Tofighian’s English translation), publication of the Persian/Farsi original, translation as activism, process and technology.
Versatile Offending
The use of longitudinal data from the criminal records of a sample of 6,042 female prisoners in nineteenth- and twentieth-century Victoria reveals limitations in the traditional method of examining criminality within specific offense categories. Investigations devoted exclusively to particular categories of women’s offenses potentially obscures the extent to which women resorted to multiple forms of offending. Such versatile activity challenges conceptions of women as predominantly petty offenders by suggesting that some women were arrested for minor offenses because of their engagement in more serious crimes and their participation in criminal sub-cultures.
MEDIATING KINSHIP: Country, Family, and Radio in Northern Australia
In Aboriginal Northern Australia, request programs are a ubiquitous, marked format for Indigenous radio broadcasting. Emerging from the activist drive of Indigenous media producers, and often instrumentally geared toward connecting prison inmates with their families and communities, such request programs invariably involve performative \"shout-outs\" to close and extended kin. These programs bring together a lengthy history of Aboriginal incarceration and the geographic dispersal of kin networks with country and rock musics, the charged meaning of family in contemporary Indigenous Australia, and the emergent expressive idioms of radio requests. The essay discusses the performative, mediated interweaving of speech and country song in such request programs, analyzing their significance as recursive forms of an emergent, Indigenous public culture.
Correctional Services and Prison Chaplaincy in Australia: An Exploratory Study
This paper summarizes an exploratory study undertaken to consider the work of Australian chaplaincy personnel ministering to prisoners within correctional facilities. This qualitative research was not concerned with specific correctional institutions per se, but predominantly about the perspectives of chaplains concerning their professional contribution and issues they experienced while trying to provide pastoral care to prisoners. Data from a single-focus group indicated that prison chaplains were striving to fulfill religious and spiritual duties according to national and international standards for the treatment of prisoners. Given various frustrations identified by participants, that either impeded or thwarted their professional role as chaplains, a number of improvements were subsequently identified in order to develop the efficiency and effectiveness of chaplaincy and thus maximize the benefits of pastoral care to prisoners. Implications of this exploratory study relate not only to prison chaplaincy but also to ecclesiastical organizations, correctional facilities, governments and the need of support for further research to be conducted.
‘A Bolshevist Agent of Some Importance’: Aleksandr Zuzenko's Autobiographical Notes and British Government Records
Aleksandr Zuzenko (1884–1938), a sailor and revolutionary who lived in Australia from 1911 until his deportation to Russia in April 1919, made a return visit in 1922 as an agent of the Communist International. He was again deported and spent the rest of his career, until his death in the purges, as a Soviet sea captain. Late in his life he wrote an account of his work for the Comintern in 1920–23. This article examines that unpublished account in the light of British Home Office files. Other sources, notably the Comintern archive and the records of the Australian government, are also considered.
Juveniles as Human Capital: Re-evaluating the Economic Value of Juvenile Male Convict Labour
The application of “Human Capital” theory by Nicholas and others in the late 1980s to reframe our understanding of convictism was a watershed moment in colonial historical analysis. This was because it shifted debate away from the moral character of the convicts and reconceptualised them as a valuable labour commodity that was to be understood in the context of much broader patterns of forced labour migration. Drawing on pre-transportation records and evidence relating to two institutions for transported juvenile convicts — the Carters' Barracks (Sydney) and Point Puer (Port Arthur, Van Diemen's Land), this article examines the economic conceptualisation of juvenile male convict labour and critiques whether the same “Human Capital” theory can be applied to the juvenile convicts who were sent to New South Wales and Van Diemen's Land. The study posits that this conceptual approach frames the juvenile transportation phenomenon too narrowly temporally, socially and economically.
Pecking orders: Power relationships and gender in Australian prison graffiti
The article examines male and female inmate graffiti in a decommissioned Australian jail, a holding facility attached to the former Melbourne Magistrates Court. While male graffitists were preoccupied chiefly with personal identity, power and vengeance, the women used graffiti to build networks and alliances in order to cope with life inside. Their social structure, as expressed in the graffiti, is unusual in that, unlike the men, virtually all female inmates expected to be sent to one prison upon conviction; they thus treated the jail as a staging-ground for their arrival and continued survival in the main prison. Further aspects of the general condition of female inmates in the late 20th-century prison system are discussed. The article begins with observations on the political implications of attempting such research, and consequent tendencies for vulnerable historical voices to be silenced through regimes of de facto censorship.
“Mind-Forg'd Manacles”: The Mechanics of Control inside Late-Nineteenth Century Tasmanian Charitable Institutions
In the second half of the nineteenth century a conservative paternalistic benevolence permeated middle-class thought, leading to demonization and criminalisation of pauper invalids, many of whom were ex-convicts. This paper examines some aspects of the mechanics of the charitable system as practiced in nineteenthcentury Tasmania through an analysis of life inside the institution. It examines the institutional environment, the conditions which inmates were subject to, and how institutions implemented a regime of coerced labour, strict discipline, confinement, surveillance, regimentation and punishment as a means to control the lives of pauper invalids.